HELD STILL
Louisa Risch
8th - 24th October 2025
Featured paintings:
For a PDF exhibition catalogue click here.
Tete a Tete in Morning Light
Artichoke on a Silver Platter
Blossom and Apples
Nectarines on a Silk Scarf
Roses in a Patterned Jug
Euphorbia in a Green Vase
Amalfi Lemons
Roses from the Garden
Mimosa and Chinese Fan
Lobster Lunch
Orchid in a spotted vase
Chatsworth Strawberries
Bud Vase of Garden Flowers
Orange Tulips in a Striped Jug
Old Fashioned
Hydrangeas and Squash
Trained at the Edinburgh College of Art and at Charles H. Cecil Studios, Louisa Risch is an active and thriving portrait painter. She balances this commercial side of her artistic practice with her still life paintings, which are the focus of this HELD STILL exhibition. Created in the privacy of her home studio they are thoughtful meditations on the effects of light over objects and the possibilities of oil paint to describe them. After carefully considering the props, composition and lighting of each still life she attacks the subject at speed in the alla prima style (wet paint on wet paint), a rapid technique that requires great confidence with the medium. In a recent interview with The World of Interiors she describes this process:
‘My painting style switches between two polar opposites: for portraits, I am meticulous, and it takes time to get it right. I look to the Old Masters for painting techniques. For still lifes and landscape painting, you have to work faster to catch the light – the paint is applied faster and you have to think on your feet. However, in all my designs, I am looking at the passage of light – whether that’s down a face, on a silver pot or where it catches the leaves on a tree.’
Louisa’s paintings remain firmly in the realist camp. However, this should not be understood as a strained effort to capture fussy detail. Rather, she presents us with something recognisable that emerges from the clever arrangement of shapes and stylish abstract brushwork. We see her delighting in the way the objects participate and interact, each painting acting as a little puzzle about scale and reflection. She clearly revels at the challenge of rendering different textures and surfaces, and this enjoyment in the painting process is no doubt what makes her still lifes so pleasing to look at. Her style in this sense owes much to Manet, Sargent and most of all William Nicholson (1872-1949). Like Nicholson, the strength of Louisa’s paintings lies in their tension between modernism and classicism; that is, a loose application of academic technique and a personal vision of painting from life.
HELD STILL is on view at 17 Avery Row until 24th October. Please click on the images above to view specific painting details, prices and framed photos. Contact james@apelles.co.uk for any exhibition enquiries.